The return was less ceremonial, simply melding into the pack of tourists and trying to sample the amazing smorgasbord of art and photography laid out, courtesy of the late J.P. Getty. The Getty Trust is in good form, and will certainly be viable for a long time coming; the museum a heady reflection of that fact. One of the public outreach efforts it makes is to have concerts one saturday a month, the lure this particular day being 'The Antlers', from Brooklyn. Did I mention that it's free? Show was free, museum was free, parking a mere $15...(no sarcasm whatsoever, a stone cold bargain in Los Angeles).
On the way in, we got a sampling of the prospective acoustics in the courtyard, as the band ran through a brief soundcheck.
The barren intimacy of the songs from their '09 record 'Hospice', were taken up a notch, thanks to incessant touring, but maintained the ability to connect emotionally.
It was fascinating to watch outside the hardcore of fans clustered at the foot of the stage, back to the tourists who would stop and watch, sometimes engage, and sometimes move on...
If you listen closely enough during 'Bear', (above), you can hear the meeting of the 'Valley Singles Club' cloistered near us, doing what singles at free events the world over do...
As dusk fell, the stream of tourists tapered off, and the crowd settled in as the band moved into the heart of their set, nearing the end with a stunning version of 'Two', featuring guest vocalist Holly Miranda.
The perfect capper to a lovely evening at the Getty.
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