Showing posts with label carpark records. Show all posts
Showing posts with label carpark records. Show all posts

Saturday, August 25, 2018

"...yours truly, Jens Lekman"

JENS LEKMAN
DENT MAY
LODGE ROOM, HIGHLAND PARK, LA
21 AUGUST, 2018

It's been almost six years since we last caught up with Jens Lekman, but as always, no matter how many times you see him, his never-ending supply of twists and left-turns guarantee that a different prism is applied to even the most familiar. Continuing a trend of appearances at Masonic Lodges, the cozy confines of Highland Park's Lodge Room served as Jens HQ on this evening. With support in the form of a rare solo appearance from Dent May, it was a night of quality. A decent early turnout gathered for May, focusing on latest release Across The Multiverse (Carpark Records), a celebratory examination of the Mississippi native's move to/embrace of LA. Peak moment was instantly falling in love with the soaring "90210", and "Born Too Late" from 2013's Warm Thoughts was also a standout.

Even after all this time, the work of Jens Lekman, given its often uncomfortable intimacy, is something of a private vice. It's always an eye-opener to be among a like-minded crowd who've dug themselves away from dark rooms and emerged blinking, to celebrate their man. Setting the tone immediately with an earnest cover of the Lovin' Spoonful's "Do You Believe In Magic" was a nice reminder that his best shows are a testimony to immediacy, a healthy respect for the moment. Over the course of the set, the shaggy-dog stories we fell for have sharpened into explorations of the human condition. Lekman has been pushing at the boundaries of the traditional album release cycle, with projects such as Postcards, his song-a-week cycle over the course of a year, and this year's Correspondence, an ongoing musical dialogue with Annika Norlin that yielded early set notable "Forever Beautiful, Forever Young". Shouting out a couple at center stage, Charlie and Linda, who were marking their 35th or 36th Jens show, his choice of "Your Arms Around Me" might have raised eyebrows to outsiders, but made perfect sense to the veterans. Dipping firmly into the back catalogue, but keeping it fresh, he essayed "Julie" in his native Swedish, then brought the tempo up with a rousing "The Opposite of Hallelujah".

The centerpiece of the set involved the unveiling of interpretive dancers for "What's That Perfume You Wear', from his most recent LP, 2017's Life Will See You Now, and they lent an entrancing vibe. A silky segue into "Sipping On The Sweet Nectar" provided the dance floor release the audience was seeking. Granting an encore, Jens spun "Maple Leaves" into "I Want A Pair Of Cowboy Boots", followed by a luminous "Shirin". The sold-out crowd wasn't letting him off that easy, and the second encore of "Rocky Dennis' Farewell Song" was even more well received, setting up the perfect close with his certifiable anthem, "A Postcard To Nina".




JENS LEKMAN













DENT MAY







Monday, June 6, 2016

Living The Good Life

THE GOOD LIFE
SPEEDY ORTIZ
LA SERA
LARGE MARGE, VENTURA, CA
04 JUNE, 2016
After a quick save dampening the vocal mic with a t-shirt to avoid random jolts from our friend electricity, La Sera opened up the night with a sharp and sassy set that did not hit the brakes, accounting for a fair chunk of their newest release, "Music For Listening To Music To", including a sparkling "High Notes" and  guitarist Todd Wisenbaker stepping up for "I Need An Angel". And it turns out that Todd is originally from Ventura! A tight cover of "Whole Lotta Love" paved the way for the high point of the set, a savage take on "Losing To The Dark". La Sera finished off with the title track of their previous, "Hour Of The Dawn", and the jam at the coda showed just how far this former bedroom project has come.

Ironically, at roughly the same time, Jaime Hernandez, the artist who created the character Speedy Ortiz,  was being honored in Pasadena with a Life Achievement Award, the band from Amherst, Mass that shares the same name was kicking off their set with a rough and ready version of "The Graduates", from last year's "Foil Deer" LP. With a brand new EP, "Foiled Again", out on Carpark Records, there was new grist for the mill since we caught up with them in Santa Cruz last year. Having both "My Dead Girl" and "Mr. Difficult" in that set made it almost too overwhelming, and their absence from the set list focused the vibe. "Dvrk Wvrld" and "Tiger Trap" were high notes for a continually evolving band. "Raising The Skate" and "Puffer" were crowd pleasers, while "Dot X" and "American Horror" upheld the emotional intensity. Half the fun of a Speedy gig is trying to balance the cacophony of words against the music, then within that, the interplay of the guitarists versus the elasticity of the most excellent rhythm section, whom I've blabbed about before, but my respect continues to deepen every time I see them. It's not unlike watching a high level tennis match, and it's easy to be thoroughly wrung out after their set.

Finally caught up with The Good Life, yet another side of Tim Kasher (Cursive). Their new album is due out this August on Saddle Creek, and this was the perfect preview. He was as engaging as always, and the new material struck a chord, and unveiled yet another catalogue of music ripe for exploration. All told, it was a fitting conclusion to an exceptional evening.

A quick word is in order for the fabulous venue, an anonymous structure tucked away on Garden St. In downtown Ventura. Behind the gates, Large Marge is revealed as a labor of love, set up to carefully accommodate a nice merch space, as well as a lounging area for guests, couches inside for that homey touch, and the crowning glory: Phyllis Diller's actual kitchen?! Believe it. Final programming note: I've seen the first two bands nearly ten times combined, and never have either sounded better. The sound person was working her butt off, and the effort and end result was appreciated.