Friday, January 16, 2009

roots, part one

A passing reference in an article on southern soul yielded the name Joe Tex…surely in those AM radio days I’d run across his singles, ‘Skinny Legs & All’ jumped to mind…but this was different, something deep down gnawing at me.

I closed my eyes and it came to me…stabbing horns piercing the gray matter and that inimitable gutbucket growl building to a shriek: ‘I Gotcha’…the first 45 I can remember acquiring of my own volition (dumb luck)…after all these years, it was still buried there in my brain, as a quick trip to the web quickly confirmed.
try this...



The circumstances are fuzzy, some flea market/jamboree or somesuch at the county fair grounds resulted in digging through a box and claiming my prize…I remember playing the hell out of it initially, but I don’t remember it from later…not terribly appropriate for an eight or nine year old, & was probably seized on those grounds, or spun into orbit for it’s sheer annoyingness…either answer is fair enough…
But now I understand a little more clearly my affinity for that particular school of soul.

Grazzi, Mr. Tex, wherever you are…

Tuesday, January 6, 2009

more homemade goodness...

Replicating the previous post in intent, this is another trawling of user created treasure from YouTube. Previously we saw Timebomb 72's interpretation of Elliot Smith's 'Rose Parade', done with old found home movies...Compulsively viewable, i really want to crawl inside and know more of the stories, and more than anything, what Mr. Smith's reaction to this would have been...
Today, we'll tackle Katamai's vision of Sun Kil Moon's 'Moorestown'...Sun Kil Moon is the continuing adventures of singer/songwriter Mark Kozelek, who favors acoustic guitar and epic interior laments. Over the years he has incorporated a very specific visual aesthetic into his work, and the beauty of this user-professed 'quickly thrown together video of a drive' is how neatly it dovetails with the mood of Kozelek's song...



'April' is Sun Kil Moon's latest, perhaps a high water mark in a career spent pursuing a singularly idiosyncratic vision, coming to terms with ghosts of the past, yet setting the table to look forward. Over repeated listenings, the simple song structures unfold...
Major thanks to these users for sharing their visions...